Book #022 - Rem Koolhaas: Conversations with Students

Award-winning Dutch architect Rem Koolhaas is the founder of the Office for Metropolitan Architecture (OMA) and has become one of the most intriguing and exciting architectural thinkers of our time. This small-scale, affordable paperback presents a selection of texts from a seminar series conducted by Koolhaas, as well as an essay by the architect discussing three of OMA's large-scale projects. Addressing questions of urbanism and architecture in Europe, Asia, and the United States, these texts ultimately illuminate in a concise manner OMA's long-term mission and ideals.

Book #021 - Louis Kahn: Conversations with Students

Louis Kahn (1901-74) is one of the most renowned practitioners of international modernism, on a par with Le Corbusier and Mies van der Rohe in the extent of his influence on subsequent generations of architects. Kahn sought the spiritual in his powerful forms, and encouraged his students to seek the essential nature of architecture. His Philadelphia-based practice was responsible for such masterpieces as the Richards Medical Research building in Philadelphia, Pennsylvania; the Yale Art Gallery extension in New Haven, Connecticut; the Kimbell Art Museum in Fort Worth, Texas; the government complex at Dhaka, Bangladesh; and the Salk Institute in La Jolla, California.
This title, in the same format as our highly successful Rem Koolhaas: Conversations with Students, contains a little-known essay by Kahn on his sources of inspiration, an interview with the architect on his working methods and his vision for the future of the profession, and writings on Kahn by Michael Bell and Lars Lerup, contributors to our title Stanley Saitowitz.
Louis Kahn: Conversations with Students is the latest title in the series from the Rice University School of Architecture.

Book #020 - Le Corbusier Talks with Students

First published in France in 1943 and translated for English-speaking readers in 1961, Le Corbusier Talks with Students presents advice and commentary from the master of modernism for young architects-to-be. In chapters ranging from 'Disorder' to 'The Construction of Dwellings' to 'A Research Workshop,' Le Corbusier discusses his views on architectural history and offers opinions on the future of the profession, while touching on his own projects for the Villa Savoye, the Cite Universitaire, and the Radiant City. Topics such as architecture's role in our directionless society; the balance between spiritual values and technical factors; and the importance of space, proportion, and color are explored by this renowned architect, and still resonate today, almost 50 years later. Our reprint of this classic text is a facsimile of the 1961 edition, now available as an affordable paperback. Similar titles from Princeton Architectural Press include Louis Kahn: Conversations with Students and Rem Koolhaas: Conversations with Students.

Book #019 - Le Corbusier's Hands by André Wogenscky

An assistant to and friend of Le Corbusier, Wogenscky portrays the modernist architect, designer and writer in 50 short chapters in this slender volume, an emotional and poetic accompaniment to traditional biographies.

Eschewing biographical facts and reproductions of Le Corbusier's work, Wogenscky offers a more intimate look at Le Corbusier: detailed images of the wrinkles in his hands, a memory of his mother playing Händel on the piano and the guiding ideology behind his influential design principle for Unités d'Habitation, the urban housing units he designed.

Using enigmatic and often contradictory quotations and anecdotes from Le Corbusier's letters and work, Wogenscky gives a balanced, airy view of the architect. Quotations from writers and thinkers like Rilke, Montaigne and Lao-tzu (identified only in the notes in the back) add depth, but the lack of attribution may make it difficult for readers to differentiate between contributions from outside sources and Le Corbusier's own words. A singular complement to Le Corbusier's work, this book is also an inspiring depiction of an artist.

Book #018 - Complexity and Contradiction in Architecture by Robert Venturi

First published in 1966, and since translated into 16 languages, this remarkable book has become an essential document in architectural literature. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture. Complexity and Contradiction in Architecture was the winner of the Classic Book Award at the AIA's Seventh Annual International Architecture Book Awards.

Book #017 - Objectified: A Documentary Film by Gary Hustwit

Objectified is a feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them. It’s a look at the creativity at work behind everything from toothbrushes to tech gadgets. It’s about the designers who re-examine, re-evaluate and re-invent our manufactured environment on a daily basis. It’s about personal expression, identity, consumerism, and sustainability.





Through vérité footage and in-depth conversations, the film documents the creative processes of some of the world’s most influential product designers, and looks at how the things they make impact our lives. What can we learn about who we are, and who we want to be, from the objects with which we surround ourselves?

Objectified had its world premiere at the SxSW Film Festival in March 2009, and is currently screening at film festivals, cinemas, and special events worldwide. The film will be available as a DVD and download soon. Join our mailing list or subscribe to our RSS feed to stay informed of new announcements.

Featuring
Paola Antonelli (Museum of Modern Art, New York)
Chris Bangle (BMW Group, Munich)
Ronan & Erwan Bouroullec (Paris)
Andrew Blauvelt (Walker Art Center, Minneapolis)
Tim Brown (IDEO)
Anthony Dunne (London)
Dan Formosa (Smart Design)
Naoto Fukasawa (Tokyo)
Jonathan Ive (Apple, California)
Hella Jongerius (Rotterdam)
David Kelley (IDEO)
Bill Moggridge (IDEO)
Marc Newson (London/Paris)
Fiona Raby (London)
Dieter Rams (Kronberg, Germany)
Karim Rashid (New York)
Alice Rawsthorn (International Herald Tribune)
Davin Stowell (Smart Design)
Jane Fulton Suri (IDEO)
Rob Walker (New York Times Magazine)
and more participants TBA

Credits

Produced and Directed by
Gary Hustwit

Editor
Joe Beshenkovsky

GCBC #016 Ways of Seeing written byJohn Berger

" Seeing comes before words. The child looks and recognizes before it can speak.

" But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding wold; we explain that world with words, but word can never undo the fact that we are surrounded by it. The realation between what we see and what know is never settled." John Berger's Ways of Seeing is one of the most stimulating and the most influential boos on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: " This is an eye-opener in more ways than one: by connecting on how we look at paintings... he will almost certainly change the way you look at pictures." By now he has

Ways Of Seeing

Book #015 - Yes Is More: An Archicomic on Architectural Evolution by Bjarke Ingels

YES IS MORE is the first monograph of its kind devoted exclusively to the trailblazing practice of BIG, a Copenhagenbased group of architects, designers and thinkers operating within the fields of architecture, urbanism, research and development.



Unlike a classic architectural monograph, this book is more of a manifesto of popular culture, in which BIG s methods, means, processes and approach to the concept of architecture are revealed as being as unconventional, unexpected and result-producing as the world in which it exists, continually reaffirming its mission with a resounding YES.



In YES IS MORE BIG shows how its members respond to the polymorphous demands, complex rules and highly specialized knowledge of society, creating tangible solutions through artistic processes: solutions that time and again attract the interest of the population at large while earning the respect of aficionados across the globe.




YES IS MORE speaks the language of popular culture, allowing the sublime to shine through in the commonplace. It enables readers to gain insights into Big s processes, methods and results through the most approachable and populist means of communication the cartoon.



BIG has repeatedly attracted public attention and triggered political debate with projects such as a three-kilometerlong wall of social housing wrapped around a park of soccer fields in Copenhagen, the proposal to consolidate all of Denmark s harbor activities in a star-shaped superharbor along the bridge between Denmark and Germany and recently by proposing to move Denmark s national symbol, the Little Mermaid, to China for six months as part of the Danish Pavilion for the Shanghai World Expo in 2010 and getting to do just that!

Book #014 - Notes on the Synthesis of Form by Christopher Alexander

"These notes are about the process of design: the process of inventing things which display new physical order, organization, form, in response to function." This book, opening with these words, presents an entirely new theory of the process of design.

In the first part of the book, Mr. Alexander discusses the process by which a form is adapted to the context of human needs and demands that has called it into being. He shows that such an adaptive process will be successful only if it proceeds piecemeal instead of all at once. It is for this reason that forms from traditional unselfconscious cultures, molded not by designers but by the slow pattern of changes within tradition, are so beautifully organized and adapted. When the designer, in our own self-conscious culture, is called on to create a form that is adapted to its context he is unsuccessful, because the preconceived categories out of which he builds his picture of the problem do not correspond to the inherent components of the problem, and therefore lead only to the arbitrariness, willfulness, and lack of understanding which plague the design of modern buildings and modern cities.

In the second part, Mr. Alexander presents a method by which the designer may bring his full creative imagination into play, and yet avoid the traps of irrelevant preconception. He shows that, whenever a problem is stated, it is possible to ignore existing concepts and to create new concepts, out of the structure of the problem itself, which do correspond correctly to what he calls the subsystems of the adaptive process. By treating each of these subsystems as a separate subproblem, the designer can translate the new concepts into form. The form, because of the process, will be well-adapted to its context, non-arbitrary, and correct.

The mathematics underlying this method, based mainly on set theory, is fully developed in a long appendix. Another appendix demonstrates the application of the method to the design of an Indian village.

Book #013 - Rashomon and Seventeen Other Stories by Ryunosuke Akutagawa

Akutagawa Ryunosuke, short-story writer, poet, and essayist, one of the first Japanese modernists translated into English. He was born in Tokyo in 1892, and began writing for student publications at the age of ten. He graduated from Tokyo University in 1916 with an English Literature degree and worked as a teacher before becoming a full time writer in 1919. His mother had gone mad suddenly just months after his birth and he was plagued by fear of inherited insanity all his life. He killed himself in 1927. Haruki Murakami (Introducer) has written eleven novels, eight volumes of short stories and numerous works of non-fiction, as well as translating much American literature into Japanese. His most famous novels are Norwegian Wood, The Wind-up Bird Chronicle, and Kafka on the Shore. Jay Rubin (Translator) has translated several of Murakami's works into English and is also the author of Haruki Murakami and the Music of Words. He has been professor of Japanese Literature at the Universities of Washington and Harvard.

Book #012 - The Eyes of the Skin (Polemics) (by Juhani Pallasmaa

Architecture has the capacity to be inspiring, engaging and life-enhancing. But why is it that architectural schemes which look good on the drawing board or the computer screen can be so disappointing ‘in the flesh’?

The answer, argues Juhani Pallasmaa, lies in the dominance of the visual realm in today’s technological and consumer culture, which has pervaded architectural practice and education. Whilst our experience of the world is formulated by a combination of five senses, much architecture is produced under consideration of only one – sight. The suppression of the other sensory realms has led to an impoverishment of our environment, causing a feeling of detachment and alienation.

First published in 1996, The Eyes of the Skin has become a classic of architectural theory and is required reading on courses in schools of architecture around the world. It consists of two extended essays. The first surveys the historical development of the ocularcentric paradigm in western culture since the Greeks, and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration.

Since the book’s first publication, interest in the role of the body and the senses has been emerging in both architectural philosophy and teaching. This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader’s perception of the world around them.

‘Not since the Danish architect Steen Eiler Rasmussen’s Experiencing Architecture (1959) has there been such a succinct and clear text which could serve students and architects at this critical time in the development of 21st-century architecture.’ Steven Holl

Book #011 - Blade Runner by Ridley Scott

In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specialises in terminating replicants. Originally in retirement, he is forced to re-enter the force when six replicants escape from an offworld colony to Earth. Written by Graeme Roy

Los Angeles, 2019: Rick Deckard of the LAPD's Blade Runner unit prowls the steel & micro-chip jungle of the 21st century for assumed humanoids known as 'replicants'. Replicants were declared illegal after a bloody mutiny on an Off-World Colony, and are to be terminated upon detection. Man's obsession with creating a being equal to himself has back-fired. Written by Matt McQuillan

Deckard is a Blade Runner, a police man of the future who hunts down and terminates replicants, artificially created humans. He wants to get out of the force, but is drawn back in when 4 "skin jobs", a slang term for replicants, hijack a ship back to Earth. The city that Deckard must search for his prey is a huge, sprawling, bleak vision of the future. This film questions what it is to be human, and why life is so precious. Written by Greg Bole

Book #010 - A Pattern Language: Towns, Buildings, Construction

Christopher Alexander, an architect and author, coined the term pattern language. He used it to refer to common problems of civil and architectural design, from how cities should be laid out to where windows should be placed in a room. The idea was initially popularized in his book A Pattern Language.

Alexander's book The Timeless Way of Building describes what he means by pattern language and how it applies to the design and construction of buildings and towns. Patterns thinking has been applied to other fields, ranging from software design, to user interface design, to designing a classroom curriculum.



Simple example of a pattern

Name: ChocolateChipRatio
Context: You are baking chocolate chip cookies in small batches for family and friends
Consider these patterns first: SugarRatio, FlourRatio, EggRatio
Problem: Determine the optimum ratio of chocolate chips to cookie dough
Solution: Observe that most people consider chocolate to be the best part of the chocolate chip cookie. Also observe that too much chocolate may prevent the cookie from holding together, decreasing its appeal. Since you are cooking in small batches, cost is not a consideration. Therefore, use the maximum amount of chocolate chips that results in a really sturdy cookie.
Consider next: NutRatio or CookingTime or FreezingMethod

Book #010 - Field Notes from a Catastrophe : Man, Nature, and Climate change

Editor's Reviews from Amazon.com

From Publishers Weekly

On the burgeoning shelf of cautionary but occasionally alarmist books warning about the consequences of dramatic climate change, Kolbert's calmly persuasive reporting stands out for its sobering clarity. Expanding on a three-part series for the New Yorker, Kolbert (The Prophet of Love) lets facts rather than polemics tell the story: in essence, it's that Earth is now nearly as warm as it has been at any time in the last 420,000 years and is on the precipice of an unprecedented "climate regime, one with which modern humans have had no prior experience." An inexorable increase in the world's average temperature means that butterflies, which typically restrict themselves to well-defined climate zones, are now flitting where they've never been found before; that nearly every major glacier in the world is melting rapidly; and that the prescient Dutch are already preparing to let rising oceans reclaim some of their land. In her most pointed chapter, Kolbert chides the U.S. for refusing to sign on to the Kyoto Accord. In her most upbeat chapter, Kolbert singles out Burlington, Vt., for its impressive energy-saving campaign, which ought to be a model for the rest of the nation—just as this unbiased overview is a model for writing about an urgent environmental crisis. (Mar. 14)

From Scientific American

In the 1990s the inhabitants of Shishmaref, an Inupiat village on the Alaskan island of Sarichef, noticed that sea ice was forming later and melting earlier. The change meant that they could not safely hunt seal as they had traditionally and that a protective skirt of ice no longer buffered the small town from destructive storm waves. Shishmaref was being undone by a warming world. To survive, the villagers recently decided to move to the mainland. Soon Shishmaref on Sarichef will be gone. Pithy and powerful, the opening of Elizabeth Kolbert's book about global warming, Field Notes from a Catastrophe, echoes that of another book that also originated as a series of articles in the New Yorker magazine. Rachel Carson's Silent Spring starts in much the same way, with a fable about a town that lived in harmony with its surroundings and that fell silent. The question is, Can Field Notes galvanize a national movement to curb global warming in the same way Silent Spring sparked one to curb the use of pesticides? Silent Spring's success as a transformative force came about because of Carson's scientific authority, the way she shaped her argument, the immediate nature of the threat, and the many movements afoot in American society in 1962. Carson was a scientist, and she had credibility when she described how synthetic chemicals, DDT in particular, affect living things. That authority convinced her readers and withstood critics and attacks by the chemical industry. Carson's writing was direct and her rhetoric carefully chosen, as her biographer Linda Lear and other scholars have noted. Carson appreciated Americans' fears about nuclear fallout: something invisible was contaminating their food. She made clear DDT's similar qualities: "No witchcraft, no enemy action had silenced the rebirth of new life in this stricken world. The people had done it themselves." Concerned that her audience might be solely women--mothers worried about the health of their children--she also spoke directly to hunters, outdoorsmen. She deliberately sought, and got, the widest possible reach. Although Carson was describing something people could not see in their food, she was writing about something they could viscerally understand: they saw pesticides being sprayed. They could connect their health with their surroundings, and that kind of connection can lead to powerful activism. It did after Silent Spring. It did in the late 1970s in Woburn, Mass., as Jonathan Harr describes in A Civil Action, the story of families whose children were dying of leukemia. It did in 1978 at Love Canal in New York State. It continues to do so in communities around the world. If we can see the problem--in our family, in our neighborhood, in the natural world we are intimate with--it is not necessarily easier to tackle, but it becomes more immediate, more mobilizing. Just as important as Carson's credentials, her literary brilliance and the tangibility of her topic was the time at which she was writing. In the 1960s Americans were energetically exercising their freedom of transformation. As Adam Rome, an environmental historian at Pennsylvania State University, has written, the environmental movement that blossomed after Silent Spring owed a great deal to the Democratic agenda set in the mid-1950s, to the growing activism of middle-class women, and to a counterculture raised in fear of the bomb and the planet's end. The power of Silent Spring lay in what people and politicians did with it. Field Notes from a Catastrophe is not arriving on a similar scene. There is not much widespread U.S. protest about anything--not about the war with Iraq, not about the administration's links to oil and other industry, not about the diminishing of our civil rights. It is strangely quiet here. Americans are also burned out on environmental catastrophism. Many people have noted that with each new catastrophe that has not appeared--the extinction of nearly everything by the end of last year and food shortages, to mention two examples--doomsayers have lost more of their clout and their audience. The problems grow, but apathy has set in. Kolbert is also writing about something most of us cannot see clearly. Despite reports of melting glaciers, changing ecology, shorter winters and other critical indicators, global warming remains hard to grasp. We can see breast cancer cases on Long Island. We can see high asthma rates in inner cities. And we can see nongovernmental organizations struggling on those fronts. We are not good at seeing big, wide and far away; our sense of scale has not evolved in tandem with the scale of our lives. And yet. After Katrina, newspapers around the country explored the question of whether there was a link between the ferocity of the hurricane and global warming. (Answer: No one hurricane's force can be attributed to global warming, but trends of increasing intensity might, in time.) Maybe climate change is becoming more personal to more Americans--those in the lower 48. Kolbert's book contributes more important images for us to personalize. Fairbanks, Alaska, is losing its foundation; as the permafrost melts, huge holes are opening in the earth, under houses, in front yards. Twenty-two English butterfly species have shifted their ranges to the cooler north. The Dutch are busy developing amphibious houses. Burlington, Vt., has tried to reduce energy consumption and has been only modestly successful; without national political will, any one plan hits a wall. Field Notes has scientific authority as well. Kolbert is not a scientist, but she reports regularly on science, and she may well have talked to every researcher on the planet studying global warming. There are names and characters in Field Notes that even a climate-change obsessive may not have seen in other press articles or books. It can get dizzying at times. Yet the enduring impression is of deep, sober, rooted authority--the same impression Silent Spring conveys. The book is a review of the scientific evidence and of the failure of the politicians we chose. The details are terrifying, and Kolbert's point of view is very clear, but there is no rhetoric of rant here. She is most directly editorial in the last sentence of the book, and by that point, she has built the case. Other books on global warming have not had much widespread social or political effect. There have been many--and even Field Notes arrives at the same time as The Winds of Change, by Eugene Linden (Simon & Schuster), and The Weather Makers, by Tim Flannery (Atlantic Monthly Press). In 1989 the much celebrated The End of Nature, by Bill McKibben, for example, catalyzed debate--is nature really ending?--but not a national movement. Perhaps Field Notes can't make a movement where there's little concentrated activist juice. But something about this book feels as though it might. For a friend of mine, Kolbert's New Yorker series was an awakening--the first time, she said, she really understood what was happening and why we must act. Let's hope this powerful, clear and important book is not just lightly compared to Silent Spring. Let's hope it is this era's galvanizing text.

Le Corbusier + Man-hattan

This scale model of Le Corbusier’s Plan Voisin marks the turning point where city plans as constraints on individual initiative are replaced with architectural design at the scale of millions of inhabitants. (Le Corbusier, 1964) [1]

[1] Modernism: the replacement for the spontaneous order by Chris Pearson

Book #009 - Theories and Manifestoes of Contemporary Architecture

Theories and Manifestoes of Contemporary Architecture
by Charles Jencks (Editor), Karl Kropf (Editor)


The last forty years have seen an outburst of theories and manifestoes which explore the possibilities of architecture: its language, evolution and social relevance. With the many ‘crises in architecture and the obvious urban and ecological problems., Modernism has been criticised, questioned, overthrown, extended, subverted and revivified — not a peaceful time for architectural thought and production. The result has been a cascade of new theories, justifications and recipes for building. This anthology, edited by the well-known historian and critic Charles Jencks, and the urbanist and theorist Karl Kropf, collects the main texts which define these changes. Essential for the student and practitioner alike, it presents over 120 of the key arguments of todays major architectural philosophers and gurus. These show that the Modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological Post-Modernism; a High-Tech and sculptural Late Modernism; and a deconstructive, subversive New Modernism. Here are the seminal texts of James Stirling, Robert Venturi, Colin Rowe, Christopher Alexander, Frank Gehry, Reyner Banham, Bernard Tschumi, Rem Koolhaas and many others who have changed the discourse of architecture. Here also are the anti-Modern texts of the traditionalists — Leon Krier, Demetri Porphyrios, Quinlan Terry, Prince Charles and others. Many of these texts are concise, edited varsions of influential books. Highly informative and richly illustrated with over forty drawings and photographs, this volume is a vital learning and teaching tool for all those interested in the philosophies of contemporary architecture.

Book #008 - The Architecture of Happiness by Alain De Botton

With this entertaining and stimulating book, de Botton (How Proust Can Change Your Life) examines the ways architecture speaks to us, evoking associations that, if we are alive to them, can put us in touch with our true selves and influence how we conduct our lives.

Because of this, he contends, it's the architect's task to design buildings that contribute to happiness by embodying ennobling values.




While he makes no claim to be able to define true beauty in architecture, he suggests some of the virtues a building should have (illustrated by pictures on almost every spread): order combined with complexity; balance between contrasting elements; elegance that appears effortless; a coherent relationship among the parts; and self-knowledge, which entails an understanding of human psychology, something that architects all too often overlook.

To underscore his argument, de Botton includes many apt examples of buildings that either incorporate or ignore these qualities, discussing them in ways that make obvious their virtues or failings.

The strength of his book is that it encourages us to open our eyes and really look at the buildings in which we live and work. A three-part series of the same title will air on PBS this fall. (Oct. 3)

Book #007 - Delirious New York: A Retroactive Manifesto for Manhattan by Rem Koolhaas

Product Description
Since its original publication in 1978, Delirious New York has attained mythic status. Back in print in a newly designed edition, this influential cultural, architectural, and social history of New York is even more popular, selling out its first printing on publication. Rem Koolhaas's celebration and analysis of New York depicts the city as a metaphor for the incredible variety of human behavior. At the end of the nineteenth century, population, information, and technology explosions made Manhattan a laboratory for the invention and testing of a metropolitan lifestyle -- "the culture of congestion" -- and its architecture.

"Manhattan," he writes, "is the 20th century's Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall)." Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York's history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper. Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolors and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.

Amazon.com Review
In this fanciful volume, Dutch architect Rem Koolhaas, founder of the Office for Metropolitan Architecture (O.M.A.), both analyzes and celebrates New York City. By suggesting the city as the site for an infinite variety of human activities and events--both real and imagined--the essence of the metropolitan lifestyle, its "culture of congestion" and its architecture are revealed in a brilliant new light. "Manhattan," Koolhaas writes, "is the 20th century's Rosetta stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall)." Filled with fascinating facts, as well as photographs, postcards, maps, watercolors, and drawings, the vibrancy of Koolhaas's poignant exploration of Gotham equals the heady, frenetic energy of the city itself. Anyone who loves New York will want to own this book.

Booklist of Architect Hyo-Sang Seung